'80s-Inspired Fall Fashion Clothing

Everything from ‘80s-inspired clothing, western wear and bohemian chic is in fashion for fall, according to local retailers.

High school and college-age girls have plenty of options when shopping for back to school.“Plaid is huge,” said Mary Lucy Yowell, manager of Belk department store, adding that the tartan-style plaid is widely popular. Denim is another must have for fall from skinny jeans, barely boot-cut jeans (a cross between a skinny jean and boot cut), baggy boyfriend jeans and distressed jeans, even though most of those can’t be worn to high school.

“Borrow your boyfriend’s jeans or buy a pair for yourself,” said Judy Goldie, owner of Trendy Pieces on the Public Square.Mallory Rickman, assistant manager of Delia’s at The Avenue, said everything from plaid dresses, shirts and scarves are hot for fall. “We can’t seem to keep the plaid in stock,” she said.Taking plaid even further, A’GACI Co-Manager Jamie Johnson said the country western look is the latest look in fashion. "It is really cute,” she said. The look is complete with long button-up shirts and ankle boots, sometimes called booties, Johnson said.

Yowell said boots are in fashion in a big way this fall from booties to western-style boots. Goldie said the slouchy jacket also is back for this fall and winter. “Throw it on with a pair of fitted dress slacks or jeans or over a mini-dress,” she said. Vests are another must have this fall, according to local retailers. They range from the hippie chic to motorcycle chick. “All kinds of different vests, you name it,” Yowell said are in fashion, adding that more structured vests are widely seen but vests also are being seen in sweaters.

Longer vests worn over shirts and pants are being cinched with a belt, Johnson said, adding that it is a really cute look for teens. Express at The Avenue is even carrying leather, motorcycle vests. “Those also go great with graphic tees,” said Erica Phemister, from Express.

V-neck graphic tees are a big seller at Express, she said. Graphic tees could have anything on it from peace signs to flowers and embroidery. But fall fashion is dominated by looks from the ‘80s, Phemister said, which means lose shirts, leggings and bright colors. “Cowneck sweaters are coming back in and off the shoulder tops,” she said. “Leggings with tunics are really in right now.”Goldie said printed leggings and tights will “throw some fun into your outfits.”Along with that this fall is going to be filled with “plenty of color,” she said. “Neon will be big and also gorgeous jewel tones, purples, teals and deeper blues.”

Bright colors are showing up in corduroy and other types of pants. “The girls go crazy over them,” Rickman said. But don’t forget about your hair, which completes any outfit. Stylist Kenneth Darrell of Studio 627 said one of the latest looks is a side ponytail. “They are fashionable, in style and easy to achieve,” he said. 

Other looks include side swept bangs, which are sometimes braided or French braided and wavy hair. Sue Millsap, owner of Salon 536, said the graduated bob with a disconnect at the sides for above the shoulders and chin length hair is one of the latest trends in hair. Also, full bangs with an edge with catch some attention this fall.

Source: The Murfreesboro Post

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What is Redux?

The French fashion label notorious for its sky-high prices will release its less expensive clothes range called Redux in October.

Items, designed by the fashion house’s head designer Ricardo Tisci, will comprise a selection of the label’s “greatest hits” (including shoes) starting at US$350 (RM1,225) which is less than Givenchy’s normal runway prices.

Redux was first shown in June and will hit stores twice a year. The debut collection focuses on studs and white blouses, ruffles, and pintucking.

The move makes sense in a strained economy, even though Tisci’s last ready-to-wear collection sold out at many department stores.

Source: Sun 2 Surf

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DKNY Jeans Femme Feat. Hilary Duff

We first got a sneak peek of Hilary Duff’s Femme for DKNY Jeans line when Gossip Girl co-star Jessica Szohr turned up at a Louis Vuitton party sporting a $59 floral cardigan from the collection, and now, the ads are out. Hilary stars alongside models Sophie Srej and Gracie Carvalho in a New York City street-inspired ad campaign. Combining Hilary’s personal style and the individuality of New Yorkers — the inspiration behind her designs — the Femme for DKNY Jeans fall ‘09 ads were shot on the Manhattan streets by Scott Schuman, best known for his street style blog The Sartorialist. With Hilary joining the cast of Gossip Girl this fall, we couldn’t think of a better theme than the gritty and glam streets of New York for her latest design venture.

Source: People Stylewatch

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Know About The Style of Audrey Tautou

The first thing Audrey Tautou does is leap out of her seat and declare: "I love your glasses! I want some. Where did you get them?" At five feet three inches she is petite rather than small, slight as opposed to thin. Excruciatingly gamine, she would make the perfect Peter Pan. Her jet-black hair is cut characteristically short, brushed forward like Audrey Hepburn's in Funny Face, her lips are femme-fatale scarlet, and a white lace blouse perfectly complements old-school Levi's that hang impeccably over a pair of black 1940s-style high heels. Tautou looks immaculately stylish, which must've come in handy for her latest role as the legendary French fashion icon, Coco Chanel, in the hugely successful Gallic period piece, Coco Before Chanel, directed by Anne Fontaine.

"Once Audrey agreed to play Coco I knew I could do the film as I envisioned," said the director just a few minutes before I met Tautou. "I was struck by her will, her audacity, and the density of her gaze that goes straight through you. She has the same impertinent look, the same androgynous appeal, the same toughness and innate sense of style. She is the only person to play Coco."

Undoubtedly, Tautou pulls of the role with uncommon aplomb, delivering a subtle yet multi-layered performance that, with just the arch of a manicured eyebrow, quietly provokes all manner of questions about the icon that some might rather avoid. Did she hate men? Did she use men? Did she sleep her way to success? Did she step on any and all to rise to the top? Or was she purely a product of her environment who had to use all at her disposal to succeed?

And yet the film avoids the most controversial aspects of the pioneering designer's life. Absent is her notorious affair during the war with Hans Gunther von Dincklage, a German officer and Nazi spy, as is her subsequent arrest for war crimes and her acquittal, before trial, via the intervention of the British royal family.

Instead, the film plumps for what is arguably a better story, and deals with Chanel's origins. It begins, like a 19th-century romantic novel, as, Gabrielle "Coco" Bonheur Chanel, born in a poor house on August 19th 1883, is abandoned in the orphanage of the Roman Catholic monastery of Aubazine.

The narrative moves swiftly on to her short career as a bar singer (she took her name from a song she sang in cabaret) and covers her life as kooky concubine to the immensely rich playboy, Etienne Balsan (Benoît Poelvoorde). The film concludes in 1920 after Coco's romance with her financial backer, British millionaire Arthur "Boy" Capel (Alessandro Nivola), ends when he dies in a car crash, leaving her financially free to revolutionise the way women dressed, thought and behaved.

"Premises of projects about Coco Chanel had been submitted to me for several years," explains the bubbly Tautou, now perched on the arm of her chair. "But I did not want to do a biopic, you know – participating in some sort of saga recounting her life from birth to death. Chanel lived for 87 years! We would have fallen into the clichés that have punctuated her path. No, no, no. I was secretly hoping to get an offer to play Coco but with a particular point of view. Because it's her modernity that fascinates me, her spirit, her ambition and the position she gave women."

"Chanel had to fight against conventions then that were so very paralysing for women." continues Tautou, now standing. "So, when Anne Fontaine explained how she intended to treat the subject, I immediately agreed. She wanted to avoid the obvious truisms and some sort of mimetic interpretation of Chanel, and was determined to concern herself solely with her beginning – the period when Coco was building herself and asserting her personality – which for me is the most interesting period in her life."

Source: The Independent

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French Fashion Hermes Increased Sales

Second-quarter sales at the firm's ready-to-wear clothing and fashion accessories division were up 13%, while they rose 11% at its silk and textiles unit.

However, sales of its watches, perfumes, and tableware goods were all down.

Analyst Dennis Weber of Evolution Securities said Hermes was helped by the strength of its brand name.

"Hermes' established brand reputation works in the company's favour in the current environment, and we believe in the relatively defensive nature of the Hermes brand," he said.

The 11% fall in the sale of Hermes' watches between April and June has been echoed by watchmakers in Switzerland, industry figures have shown.

The Swiss Watch Federation said sales at the country's watch-makers, including Rolex and Tag Heuer, were down 26% in the first half of 2009.

It added that the Swiss watch industry was facing its steepest drop in global demand in about 20 years.

Source: BBC News

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High Fashion Eyebrows

When it comes to eyebrows, high fashion has decided there is only one way to go – and go they must. Emma Watson and Cheryl Cole may adhere to the power of the brow to frame a face, but more and more models are bleaching them to the point of invisibility. The eyebrow, it seems, has become "excess" hair. Agyness Deyn, Lily Donaldson and Linda Evangelista have all gone eyebrowless recently. In Givenchy's latest advertising campaign, eight male and female models recline in a French chateau looking curiously androgenous. Each is eyebrowless.

Perhaps the trend has been a long time coming. Three years ago, the model Lara Stone bleached her brows on the advice of Carine Roitfeld, the esteemed editor of French Vogue. This year she starred at the autumn/ winter and couture shows, appearing on catwalks for Chanel, Jean Paul Gaultier and Prada among others. And this month the popular 90s model Kristen McMenamy, now 42, appears on the cover of Italian Vogue without brows, 17 years after she and Karen Elson popularised the look during the grunge years.

Makeup artist Pat McGrath worked on the Balenciaga and Prada shows, both of which featured bleached-out brows. "The current economic troubles open people up to be more daring and willing to don cutting-edge looks," she says.

At a time when advertising is suffering, is eyebrowlessness just a more extreme way for a brand to sell its products? Or perhaps the prevalence of Botox (no frowning or eyebrow raising) means we simply have no need for them?

Aidan Jean-Marie, creative director of Premier Model Management, says he has "had a couple of girls who had their brows bleached for beauty stories in the last few weeks. I think clients like the look because it's clean, like a blank canvas, and 90s-inspired, which is a big trend. It's alien-like and quite creepy."

But before you reach for the Jolene, consider a more subtle take on the look. Lisa Oxenham, beauty and style editor at Marie Claire, advises "gently tweaking eyebrows with bleach". She says it gives the same effect as freckles on blondes. But she warns against eyebrow removal. "Brows give a face expression – when they are not there the look hardens." And "it is not advised if your face is round, long or if you're hungover".

Source: Guardian.co.uk

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Jean Paul Gaultier: Hollywood Vintage Style

Spotlights lit up the catwalk Wednesday at Jean Paul Gaultier’s haute couture show, steeped in old-fashioned Hollywood glamour and paying tribute to screen sirens like Jane Russell and Ava Gardner.

Gaultier sent out glamazon variations on his signature pieces — trench coats, second-skin dresses with sheer paneling and menswear suits.

A model in a sharp-shouldered pantsuit in black wool was channeling Katherine Hepburn between takes. A gold sequin-covered hourglass halterdress was screaming Jane Russell’s name.

Actor Mickey Rourke said it was a treat to see the kind of Hollywood glamour that “went out the door 30 years ago.”

“They’re making a different kind of movie now, unfortunately,” said Rourke, an ’80s superstar who made his comeback with “The Wrestler.”

Gaultier, the one-time enfant terrible of French fashion, gave some of the looks his signature humorous twist.

Reams of film were wrapped around one model’s shoulders like a shawl. A bodysuit looked like the offspring of a trenchcoat and a swimsuit.

And the bride — the look that traditionally closes the wildly expensive made-to-measure couture shows — was just plain bizarre. In a mini dress made from what looked like plastic bags filled with gold sequins, she wore a veil draped over a cone on top of her head. Black and white close-ups of ’50s-era movie stars were projected onto the veil.

Source: The Sentinel

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